Suddenly, Henry (or us, I guess) finds himself racing through the streets of Moscow pursued by an army of generic goons. The first person he sees (Haley Bennett) introduces herself as his wife and whispers a few sweet nothings before the base is infiltrated by a telepathic psycho villain (Danila Kozlovsky) who blows everything up. He awakens in a science fiction laboratory where his mechanically enhanced body is now ready to kick butt in the field. Although admirable in intent, it’s not always as fun in execution as it thinks it is. It’s a series of ridiculous climaxes without any nourishing downtime. In their attempt to create the cinematic equivalent of a First Person Shooter videogame, the filmmakers left out simple pleasures like compelling characters, credible dialogue, or satisfying storytelling.
However, it’s also a little too much and a little too dumb. is a relentless assault on the senses that leaps from one action scene to the next, slowing down only to tell some filthy jokes or indulge in a few extra effects sequences that don’t involve ultraviolence.Īs a technical accomplishment, the film is impressive and a sight that every action cinema-lover should behold just to acknowledge that somehow it happened. The first action movie shot exclusively in a first-person p.o.v.
You’ve gotta give the folks behind ‘Hardcore Henry’ this much: They certainly didn’t hold anything back.
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